Resurrection After Rape Community Group
Discussion, question-and-answer, general social support, and journal processing for progress-oriented rape survivors. No crisis, no damaging or triggering conflicts--this is for individuals who want to contribute to collective, cooperative action toward the goal of making actual PROGRESS through rape trauma. Much of this work is based on the book "Resurrection After...
I didn't think about The Sopranos, but it is chock full of it...mafia and all.
I wonder about some of the "reality" TV shows. Like, the "Real Wives of..."? How would they stack up?
Um Hello! TRUE BLOOD. I'm so hooked, and it is SO what you are talking about....
Adjustment Bureau - the adjustment bureau uses coercion in an attempt to force the lead character to ignore a woman he is falling in love with because they decided that his soul mate is not part of their plan.
The Rite - in the show down with the demon/devil towards the end, the devil attempts to use unresolved issues with the protagonist's father and threats against a romantic attachment to manipulate the protagonist.
Unknown - man trying to recover his identity after a car crash is manipulated in various ways. However, one probably wouldn't want to use this movie because explaining the degree of manipulation requires "spoiling" the ending.
Jane Eyre - recently remade and released in 2011. There is manipulation all around as well as some creative responses. This remake does a particularly good job of portraying Jane as a determined woman who manages to keep her sense of self through everything: abusive foster home, abusive school masters, a deceptive and self-centered employer and later fiance (Mr. Rochester), a suitor who uses religion for massaging his own ego rather than an instrument of love, etc, etc.
As a model of manipulation, Jane Eyre (both book and movie) is subtle - in nearly every case the person doing the manipulation uses society's rules to claim right and justice on his or her side and attempts to paint Jane as cruel, corrupt or even evil.
Another thing that I think Bronte got right with Jane Eyre, is the relative role of physical and emotional abuse. Even when there is physical abuse, it seems to take a weak second to the emotional abuse. This is in marked contrast to many movies and TV shows where emotional abuse is used primarily as the lead up to physical abuse as if its only real significance is the physical end point. In Bronte, the net effect is that the physical abuse is symbolic of the emotional abuse and not the other way around.
Although Jane, consistent with Victorian expectations, is the very model of the person who rises above suffering and expresses compassion even to those who hurt her (a reaction that does not suit all people nor situations), I think she eventually finds ways to do so with dignity, refusing to internalize other people's wrong headedness as her own self concept.
Even when she returns to Mr. Rochester, Bronte arranges the plot so that it happens only after Mr. Rochester has recognized and repented of his self-preoccupation and emotional blindness to others. Without that repentance, Jane would rather die an impoverished spinster than return to Mr. Rochester.
Actually I am shaken after seeing the movie but not from that scene but from the scene when she around the guy who likes her. That part has me hyperventilating. My pulse is racing.